Occupying a limbo between freedom and control, Simone Sapienza’s portrait of Vietnam explores the collision of communism and capitalism in its post-war landscape.
Why are photobooks important? Charcoal Book Club founder Jesse Lenz maps the insights he’s collected throughout his expansive career in photography and publishing.
What happens when dressing for church transforms into avant garde expression? This photographer captures the incredible style of Harlem socialite Lana Turner.
A visual ode to the rituals of the cinema and the culture of movie-going, Stephan Zaubitzer has travelled across the globe to document these vanishing beauties.
By recreating the scenes and poses of her late mother in old family photographs — wearing the same clothes her mother wore — this photographer highlights the importance of shared “her-story” and maternal legacy.
A list of the projects, articles and conversations that captivated our readers in 2018. An eclectic mix, to be sure. Treat yourself to some inspiration…
We’re looking back at some of our favorite interviews with artists and specialists from this past year—dig in to discover and revisit this year’s most memorable conversations!
How has Instagram impacted the future of visual storytelling? Stephen Mayes, Director of the Tim Hetherington Trust, offers his insights into photography’s digital future.
By combining cinematic portraiture with medical x-rays, this photographer presents the disastrous effects of militarized pellet guns in the Kashmir Valley.
An eclectic list of personal favorites — Specialists from all over the world name their top photobook picks from 2018, spanning everything from classical forms to experimental objects.
By reconstructing scenes and settings from her subjects’ dream journals, this photographer transports us into the unsettling dimension of nightmares and reverie.
This photographer documented the lives of six American individuals who fooled the public and media into believing stories about themselves—stories that turned out to be untrue.
The Necessity of Collaboration in Kensuke Koike and Thomas Sauvin’s ‘No More, No Less’
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For their ongoing project, this artist duo asked three different publishers to create books of their work. The only catch: they couldn’t see them until after they were printed.
